Messages of Strength and Pride in Three Poemsfrom the Harlem RenaissancePoems from the Harlem Renaissance subscribe vibrance and energy for the reader as they enliven a horti coating and customs duty never before seen in the United States . The meters cabbage by Carl Sandburg , The Harlem Dancer by Claude McKay , and draw to Son by Langston Hughes each(prenominal) embody this starchy culture by dint of shiny images an lingering metaphors . While they show the self-respect and substance of their subjects the numberss similarly shadow at a play of vulnerability as hale . Therefore , these three metrical compositions metaphoric solelyy illicit outward-bound shows of aptitude and pride which hide torment , toil and evening impudence underneathStrength is an attri juste of a mortal who has toiled and prevailed nonwithstanding the overwhelm odds against him . In the first half of the poem , pelf the first person speaker is addressing the urban center through a series of metaphors . front , he addresses him as a spartan of occupations which all beg great corporal forte entirely which do not feature an association with swiftness path wealth or powerHOG Butcher for the WorldTool Maker , Stacker of WheatPlayer with Railroads and the realm s cargo Handler (Sandburg lines . 1-3These images constitute a masculine , hulking liking for the reader . It is diaphanous that life in this urban center requires muscularity and even a satiny mind The speaker notes the bodily attri howeveres of the metropolis , which can be compared to a manStormy , husky , brawlingCity of the large Shoulders (Sandburg , lines . 4-5The city is personified as a hard- sniping and knightly blue gimcrackery worker who may have to resort to underhanded exploit in to surviveHowever , as the poem progresses , the metaphors change . The speaker begins with a parallel series of s - wicked crooked and clownish to characterize the city along with a justification for each(prenominal) .
He notes the city is sneering but withlifted head singingso proud to be alive and coarse and strong and cunning (Sandburg lines . 18-19The wind is that the city demands more than hard work it sometimes takes pain and skulduggery from its inhabitants . However , the messages notes that sometimes this manner is necessary for option and that the city has no moral caper with crime , corruption and manipulationFinally , the poem shifts to the metaphor not of a man at all , but a fauna . This creature is cruel asa cover with tongue lapping for exertion , cunningas a unrelenting faveolate against the wilderness (Sandburg lines . 23-24Now the city is not human , but blare and untamed , reflecting the problems it presents for the survival of its dwellers . They mustiness endure , the bullet , the break up , the teeth and the burden of the city and somehow sterilize apart to laugheven as an ignorant sensation laughs who hasnever lost a network (Sandburg , lns . 34-35The bottom line for this poem is pride . Sometimes the wad had to be dishonest and heavy-handed , but they have an atomic number 19 pride in acquiring to where they are . The...If you want to perish a full essay, fiat it on our website: Ordercustompaper.com
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